Well, I did it. For the first time in four years, I won National Novel Writing Month.
In case you're not sure what that means, 50K words = winning. Here's my final word count for November:
So, yeah. I might be a bit of an overachiever. Or just really into this story. Possibly a bit of column A and a bit of column B.
Truly, I am a bit of an overachiever. I'm one of those people who sees the ETA on my GPS and wants to beat it. If I'm not working ahead in my diary queue at work, I feel like I'm behind. So it shouldn't be too surprising that I wanted to reach 50K words before the last day of the month. And I did it. I actually reached the finish line on Friday, a day on which I wrote more than 6,300 words. Absolutely insane. Or creative and driven. Take your pick.
I'm also really into this story. I am ridiculously attached to my characters, to the point where I often think about them when I'm away from my writing. I've been putting my male lead through the wringer the past few chapters, and I feel so bad for him. I will eventually make things right for him, but right now, he's miserable. And I hate that. I'm doing it to him, but I hate it.
So what's next?
Well, I'm going to keep writing. This story has at least 20K more words in it if the first installment of this potential series is any indication. Like I said, my hero is in the middle of some chaos. I need to resolve things. A lot of things. But now at least I feel like I can take my time. I can go back and edit if I want to (even though I shouldn't because I can do that later). I can write here and there instead of committing to nearly every day. But, truth be told, I probably will keep writing several times a week. I'll miss my characters if I'm away from them for too long, and I'd love to finish this up before Christmas. I plan to get the first installment edited and ready for publishing this spring and then have this one ready to go not long after. Ambitious? Probably. But having goals is good.
Thanks for putting up with my NaNoWriMo posts this month. And many more thanks to those who have supported this insanity through comments and likes on my related Instagram photos. Special kudos to those who have already begun reading this project. I'm sure you'll soon understand why I'm so attached to my characters.

Showing posts with label NaNoWriMo. Show all posts
Showing posts with label NaNoWriMo. Show all posts
Tuesday, December 1, 2015
Tuesday, November 24, 2015
Balancing life and NaNoWriMo
Whew. I'm back. I didn't mean to go away, but my modem crapped out last Thursday and they couldn't send a tech with a new one until Monday night. That's right, I spent all weekend (including a snowed in Friday night) without Internet service. This meant no Netflix, no Hulu, and -- more importantly -- no blogging. Sigh. It was a rough few days, but I made it.
Anyhow ... let's get on with it.
The first time I successfully completed National Novel Writing Month (NaNoWriMo), I was living in a small town far away from my friends. I would work, workout, and write. That's all I had going on in my life.
These days, it's a little different. I still have three jobs, I've been keeping up with my workouts, and I also have a pretty active social life. Here are a few things I've been up to this month:
All of this ... and yet I'm still progressing with my NaNoWriMo project.
I wish I could tell you it's been easy. But it hasn't.
I've always been someone who needed a block of 4-5 hours to sit down and write. But if I waited for that, I'd never have time to write. Instead, I'm having to take advantage of some smaller blocks of time. I've taken my laptop to work and written during my lunch hour. One day, I went to a coffee shop after work and wrote for 90 minutes before my favorite fitness class. I'm learning that an hour here and an hour there really adds up. And, honestly, I tend to be more productive in those short bursts because I realize my time is at a premium.
But I didn't want to give up all the fun things around me just to work on my novel. I mean, I get some of my inspiration from the world around me, so I need to be out in it.
Current word count: 40,031
I didn't write at all last night, and I probably won't get any writing done tonight because it's Christmas decorating night. (Click here to read more about why I decorate on Nov. 24 each year.) I still feel confident about my ability to finish though.
Anyhow ... let's get on with it.
The first time I successfully completed National Novel Writing Month (NaNoWriMo), I was living in a small town far away from my friends. I would work, workout, and write. That's all I had going on in my life.
These days, it's a little different. I still have three jobs, I've been keeping up with my workouts, and I also have a pretty active social life. Here are a few things I've been up to this month:
Attending a baby shower for my bestie, Ashley.
Baby S is due at the end of December, and I can't wait to meet her.
Watching a lip sync contest at a local bar.
It was a blast, though I disagreed with the judges' choice for the winner.
Completing my eighth race of the year.
Attending a blind beer tasting event where I won two growlers!
Going to hockey games ... and becoming a very big Iowa Wild fan.
Taking and passing an exam for work.
It's the first of about a handful I'll need to complete to move up.
Seeing Trans-Siberian Orchestra live!
It was an unbelievable show of music and lights.
Spending time with my favorite people.
All of this ... and yet I'm still progressing with my NaNoWriMo project.
I wish I could tell you it's been easy. But it hasn't.
I've always been someone who needed a block of 4-5 hours to sit down and write. But if I waited for that, I'd never have time to write. Instead, I'm having to take advantage of some smaller blocks of time. I've taken my laptop to work and written during my lunch hour. One day, I went to a coffee shop after work and wrote for 90 minutes before my favorite fitness class. I'm learning that an hour here and an hour there really adds up. And, honestly, I tend to be more productive in those short bursts because I realize my time is at a premium.
But I didn't want to give up all the fun things around me just to work on my novel. I mean, I get some of my inspiration from the world around me, so I need to be out in it.
*****
Current word count: 40,031
I didn't write at all last night, and I probably won't get any writing done tonight because it's Christmas decorating night. (Click here to read more about why I decorate on Nov. 24 each year.) I still feel confident about my ability to finish though.
Tuesday, November 17, 2015
My writing habits and quirks
I'm friends with several writers, and I love talking to them. We relate on a level of being driven to write and joke about our characters taking on lives of our own. It's always interesting to hear about their writing process, as each writer has their own method for the process and finding productivity.
Here are two variations on my work station setup:
And here are a few of my writing habits/quirks:
:: I am a sequential writer.
One of my friends writes the big pivotal scene first and then builds around it. I start at the beginning and go from there. Sometimes I'll go back and add things, but that can take a lot of time as I want to make sure it blends in with everything I've written to that point and after that point.
:: I often try and edit even when I'm doing the first draft.
The point of National Novel Writing Month (NaNoWriMo) is just to get the words out. They discourage editing of any kind, but I can't help it. I constantly find myself re-reading what I've written so far and changing things. I know this slows me down, but it's just instinctual.
:: I need background noise -- and musical shows/movies work best.
I can't tell you how many times I watched "Pitch Perfect" or listened to the soundtrack when I worked on my last successful NaNo project. This time around, I'm re-watching "Glee" and I'm on my third go-round with "Sing It On." I don't know why these shows/movies work for me. They just do.
:: I agonize over characters' names.
I want them to fit the person I've created. Sometimes I also want the names to have deeper significance. There's a female character in my current work, and I wanted her name to mean something along the lines of "new beginnings" or "new." I found the name Zelenka (Czech) and decided to shorten it to Zella. When I looked up the meaning of Zella, I discovered it meant "lacking nothing." I ended up liking that better, so her name will just be Zella.
:: Sometimes I name characters for people I know.
Occasionally, I'll put my friends and family in my books. I'll also put in people I don't like at all, so there's that. If you end up in my book, I either really like you or you've pissed me off.
:: There's a little bit of me in every character.
Sometimes it's an obvious trait -- hair color, eye color, sense of humor, etc. Other times, it's far less noticeable -- a secret fear, thought, or hope.
:: I never know how my story is going to end until I get there.
Truly. I'll just keep writing and writing along until suddenly I just think, "This is it. It's over." And there's definitely a mourning period in that moment because ...
:: I get attached to my characters.
They become very real to me. When I'm not writing, I'm still thinking about my characters, wondering what they're doing without me. Wondering how they'd behave in certain situations I'm in. I know it sounds crazy. And I own that.
:: I crave feedback and fear it at the same time.
I have a group of people who have been beta readers for every single one of my writing projects. I've added a few here and there, but some have been there since the beginning -- Jamie, Bruna, Nikki, Jill, Rachel, and Angie. Not a single thing I've written wasn't first read by them for their feedback. Their support and suggestions have been invaluable to me over the years, and yet I'm always afraid they're going to tell me they hate something I've done in my books. (I think Jill still wishes I would have killed off Tara in Riffs of Regret.)
:: I'm terrible at dialogue but seem to do OK turning on the emotions in the scenes.
This might be reflective of my real life. I rarely say the things I want to say in the right way, but I have no problems with feelings. Ha.
:: I also don't do well at writing sex scenes.
My first three books didn't have any. At all. Sex was hinted at but never described. That changes a bit in Dropped Third Strike, and it may happen again in Behind in the Count. I'm definitely not overly graphic in my depictions though. For many reasons, I'm simply not comfortable writing those scenes.
Can you relate to any of this? Or have you decided I'm neurotic?
Current word count: 30,282
I didn't touch my project on Thursday, Friday, or Saturday, so I knew I needed to hit it hard on Sunday, and I did. I ended up generating more than 7K words that day. I'm very happy with the way this story is flowing. And I hope I didn't just jinx myself.
Here are two variations on my work station setup:
![]() | ||
When I work at home, I usually have tea or coffee handy and music or a movie on in the background. |
![]() |
When I work in public, I have a beverage and make sure my visual inspiration is ... visible. |
And here are a few of my writing habits/quirks:
:: I am a sequential writer.
One of my friends writes the big pivotal scene first and then builds around it. I start at the beginning and go from there. Sometimes I'll go back and add things, but that can take a lot of time as I want to make sure it blends in with everything I've written to that point and after that point.
:: I often try and edit even when I'm doing the first draft.
The point of National Novel Writing Month (NaNoWriMo) is just to get the words out. They discourage editing of any kind, but I can't help it. I constantly find myself re-reading what I've written so far and changing things. I know this slows me down, but it's just instinctual.
:: I need background noise -- and musical shows/movies work best.
I can't tell you how many times I watched "Pitch Perfect" or listened to the soundtrack when I worked on my last successful NaNo project. This time around, I'm re-watching "Glee" and I'm on my third go-round with "Sing It On." I don't know why these shows/movies work for me. They just do.
:: I agonize over characters' names.
I want them to fit the person I've created. Sometimes I also want the names to have deeper significance. There's a female character in my current work, and I wanted her name to mean something along the lines of "new beginnings" or "new." I found the name Zelenka (Czech) and decided to shorten it to Zella. When I looked up the meaning of Zella, I discovered it meant "lacking nothing." I ended up liking that better, so her name will just be Zella.
:: Sometimes I name characters for people I know.
Occasionally, I'll put my friends and family in my books. I'll also put in people I don't like at all, so there's that. If you end up in my book, I either really like you or you've pissed me off.
:: There's a little bit of me in every character.
Sometimes it's an obvious trait -- hair color, eye color, sense of humor, etc. Other times, it's far less noticeable -- a secret fear, thought, or hope.
:: I never know how my story is going to end until I get there.
Truly. I'll just keep writing and writing along until suddenly I just think, "This is it. It's over." And there's definitely a mourning period in that moment because ...
:: I get attached to my characters.
They become very real to me. When I'm not writing, I'm still thinking about my characters, wondering what they're doing without me. Wondering how they'd behave in certain situations I'm in. I know it sounds crazy. And I own that.
:: I crave feedback and fear it at the same time.
I have a group of people who have been beta readers for every single one of my writing projects. I've added a few here and there, but some have been there since the beginning -- Jamie, Bruna, Nikki, Jill, Rachel, and Angie. Not a single thing I've written wasn't first read by them for their feedback. Their support and suggestions have been invaluable to me over the years, and yet I'm always afraid they're going to tell me they hate something I've done in my books. (I think Jill still wishes I would have killed off Tara in Riffs of Regret.)
:: I'm terrible at dialogue but seem to do OK turning on the emotions in the scenes.
This might be reflective of my real life. I rarely say the things I want to say in the right way, but I have no problems with feelings. Ha.
:: I also don't do well at writing sex scenes.
My first three books didn't have any. At all. Sex was hinted at but never described. That changes a bit in Dropped Third Strike, and it may happen again in Behind in the Count. I'm definitely not overly graphic in my depictions though. For many reasons, I'm simply not comfortable writing those scenes.
Can you relate to any of this? Or have you decided I'm neurotic?
*****
Current word count: 30,282
I didn't touch my project on Thursday, Friday, or Saturday, so I knew I needed to hit it hard on Sunday, and I did. I ended up generating more than 7K words that day. I'm very happy with the way this story is flowing. And I hope I didn't just jinx myself.
Tuesday, November 10, 2015
Write the story you'd want to read
Last year, for NaNoWriMo, I stepped out of my comfort zone. After years of writing books about relationships, I decided to tackle suspense/mystery. I didn't even sniff 50K words, and I struggled to get interested in the story.
I wanted to try something different. I have enjoyed reading some suspense/thriller novels, and I wanted to see if I could write one. It's fair to say I can't. Or at least I can't right now. Someday maybe I'll try again.
For now, I'm focusing on what I know and enjoy. If you've paid attention to my reading recaps, you'll easily see my addiction to books by Melanie Shawn, Shannon Stacey, and Kate Angell. Those are the books I buy immediately and devour. Those are the books that keep me up late at night because I need to read one more chapter. And what do they have in common? They're all about relationships, communities, and -- yes -- romance.
Ultimately, what I've learned from writing is that I should always write the story I'd want to read. Because if I'm not enjoying it, why would anyone else?
I have to confess, I tried another avenue because I am was tired of the looks I get when I tell people I write romance. It's clear they're imagining sex-filled fairy tale-type books. I don't have any problem with those books (I read and enjoy plenty of them), but my books don't fit that mold. Yes, there are romantic relationships in my stories, but there's also a lot about friendship and family. That's why I prefer to say I write about relationships. It feels more accurate. Plus, romance novels get a bad reputation. People like to call them fluffy, trashy, and worthless. And I admit it kind of hurts my feelings.
I've also taken plenty of grief over my lack of experience in the realm of romance. People wonder how I can write about love when I've never felt it. How can I possibly weave stories about couples when I've never been part of one? This hurts my feelings more. Trust me, I'm well-aware of my lack of dating history.
Well, let me tell you how I do it. It's the same tool J.K. Rowling used to write about wizards and Stephenie Meyer used to write about vampires. It's the same thing Stephen King has used in his fantastically scary novels. It's called imagination. I don't have to experience something first hand to have an idea about how I think it works or should work. My current WIP (work-in-progress) is about a major league pitcher with a rocky past. There is a lot of baseball in the story, but I've never played the sport. Does that mean I can't write about it?
When people ask what kind of books I write, I want to stop being ashamed to say "romance." Even though I don't think it's a completely accurate label, I think it's the closest genre they fit. I suppose I'll never change the minds of people who view romance novels as garbage, but they also aren't going to change how I write or feel about my writing.
If you're a writer, in what genre do your stories fit?
If you're not a writer, what genre do you think you would write?
Bonus --- In the interest of self-indulgence, if you've read any of my books, which genre label would you use?
P.S. Current NaNoWriMo word count = 17,078. I'm definitely going to hit that 20K mark tonight.
I wanted to try something different. I have enjoyed reading some suspense/thriller novels, and I wanted to see if I could write one. It's fair to say I can't. Or at least I can't right now. Someday maybe I'll try again.
For now, I'm focusing on what I know and enjoy. If you've paid attention to my reading recaps, you'll easily see my addiction to books by Melanie Shawn, Shannon Stacey, and Kate Angell. Those are the books I buy immediately and devour. Those are the books that keep me up late at night because I need to read one more chapter. And what do they have in common? They're all about relationships, communities, and -- yes -- romance.
Ultimately, what I've learned from writing is that I should always write the story I'd want to read. Because if I'm not enjoying it, why would anyone else?
I have to confess, I tried another avenue because I am was tired of the looks I get when I tell people I write romance. It's clear they're imagining sex-filled fairy tale-type books. I don't have any problem with those books (I read and enjoy plenty of them), but my books don't fit that mold. Yes, there are romantic relationships in my stories, but there's also a lot about friendship and family. That's why I prefer to say I write about relationships. It feels more accurate. Plus, romance novels get a bad reputation. People like to call them fluffy, trashy, and worthless. And I admit it kind of hurts my feelings.
I've also taken plenty of grief over my lack of experience in the realm of romance. People wonder how I can write about love when I've never felt it. How can I possibly weave stories about couples when I've never been part of one? This hurts my feelings more. Trust me, I'm well-aware of my lack of dating history.
Well, let me tell you how I do it. It's the same tool J.K. Rowling used to write about wizards and Stephenie Meyer used to write about vampires. It's the same thing Stephen King has used in his fantastically scary novels. It's called imagination. I don't have to experience something first hand to have an idea about how I think it works or should work. My current WIP (work-in-progress) is about a major league pitcher with a rocky past. There is a lot of baseball in the story, but I've never played the sport. Does that mean I can't write about it?
When people ask what kind of books I write, I want to stop being ashamed to say "romance." Even though I don't think it's a completely accurate label, I think it's the closest genre they fit. I suppose I'll never change the minds of people who view romance novels as garbage, but they also aren't going to change how I write or feel about my writing.
If you're a writer, in what genre do your stories fit?
If you're not a writer, what genre do you think you would write?
Bonus --- In the interest of self-indulgence, if you've read any of my books, which genre label would you use?
P.S. Current NaNoWriMo word count = 17,078. I'm definitely going to hit that 20K mark tonight.
Tuesday, November 3, 2015
A sneak peek at a work in progress
As I mentioned last week, the last time I reached the 50K word mark during November was in 2012 with a work called Dropped Third Strike. I haven't written a summary yet, but I want to share a bit of it with
you, so here are the first few pages. Please keep in mind it's a rough draft!
That's just a taste of the story. It becomes a lot more complicated.
By the way, here was my visual inspiration for Reid:
What do you think?
P.S. My current NaNoWriMo wordcount is 4,524. Not too shabby after two days.
+++++
Dropped Third Strike
A dropped third strike occurs when the catcher fails to cleanly catch a pitch which is a third strike (either because the batter swings and misses it or because the umpire calls it). On a dropped third strike, the strike is called (and a pitcher gets credited with a strike-out), but the umpire indicates verbally that the ball was not caught, and does not call the batter out. If first base is not occupied at the time, the batter can then attempt to reach first base prior to being tagged or thrown out.
Kate hung up the phone with a sigh and swiveled her chair halfway around to face away from her desk. She sat up straighter, arching her back slightly as she tried to work out the tension that had accumulated during that phone call. Her job put her every move under many microscopes. Currently, however, it was her lack of movement that was drawing ire from all angles.
She let out a long breath and looked out the floor-to-ceiling window. Her view was magnificent – a perfect blanket of white currently covered what was usually flawlessly manicured grass and crisp reddish dirt. For six months out of the year, this picture also included dozens of fit, agile young men running, hitting and throwing. She smiled, perhaps a bit smugly, but deservedly so. Kate was proud of where she’d gotten, and while the road to being general manager of the Portland Pioneers hadn’t been easy or altogether pleasant, she believed it had been worth it.
Portland, a three-year-old franchise, was one of the newest additions in Major League Baseball, and Kate was one of the few female general managers in the history of the game. When her hiring was announced, her gender had garnered her plenty of criticism in the press and on message boards. Surely, no woman could handle a man’s sport. There were comments about the trade deadline being too near her menstrual cycle and her inability to accurately assess talent instead of just a nice physique. A few tongue-in-cheek positive comments were peppered in as well. Some speculated that she used her well-toned legs, low-cut blouses and sparkling green eyes to negotiate a contract that saved the owner a million here and there. There was no proof to support that theory. Or debunk it.
As she surveyed the grounds, she smiled. So far, she had managed to prove most of the naysayers wrong. She had made more smart deals than bad ones. Sometimes she lamented the few times she’d made a mistake, but she told herself that every GM had a bad trade once in awhile.
She couldn’t count the number of times her father, a long-time Mets fan, lamented the 1971 trade that sent Nolan Ryan, Don Rose, Frank Estrada and Leroy Stanton to the Angels in exchange for Jim Fregosi. The move did nothing to improve the Mets’ infield, and Ryan went on to become one of the game’s greatest pitchers.
She also remembered the shock of seeing Atlanta move Jarrod Saltalamacchia, Elvis Andrus, Neftali Feliz, Matt Harrison and Beau Jones to Texas in exchange for Mark Teixeira and Ron Mahay. A few years later, the Rangers went to back-to-back World Series with three of the players in that trade, and Atlanta had nothing to show on their side of the deal.
She took comfort in the fact that her mistakes hadn’t been quite as bad as those, and the team had not suffered too much in the end. In fact, the Pioneers were gradually moving out of newbie status and into the realm of being legitimate contenders. Opponents no longer looked forward to the Portland series as an easy and automatic sweep. Just last season, her boys had played the role of spoiler for two teams making late-season runs at the playoffs. Indeed, the Pioneers were coming along, and it was all because Kate and her colleagues had made the most of a moderate budget and assembled a fine group of athletes.
Today, none of these athletes were running around on the field below. It was January after all so much of the athletic activity was conducted in the facilities two floors below her offices. Spring training was approaching, so the traffic around the ballpark had become a bit heavier as athletes began to gear up for a new season.
Opening Day was still a few months away, but Kate still felt it was too close. The club’s hitting coach had resigned just before Thanksgiving, citing family reasons. So far, only about a dozen applications had come in, and none of them felt right. Kate didn’t like the thought of hiring someone who was just “OK,” especially when their club was third in the league for home runs and second in runs scored during the previous season. Offense was their centerpiece and the only thing that saved their mediocre pitching. She needed the perfect candidate, but she was quickly running out of time. The media was on her back, the owner was calling her daily and the manager stopped by whenever he was in town, which was becoming more frequent as Opening Day grew closer. All of them were less than pleased with her answer of, “I haven’t found him yet.” If she didn’t make a hire in the next few weeks, the players might report to camp without someone to tweak their timing and adjust their batting stance. And she might find her employment status hanging by a thread.
She sighed and turned back to her desk as Bart, the mailroom assistant, strolled in with the day’s correspondence.
“Looks like there might be a few more candidates for the hitting coach job, Ms. Marks,” Bart said. “There are some big envelopes here. I put them on top for you.”
Kate smiled at the young man in appreciation. Other GMs might have snapped at the college sophomore for prying, but not Kate. Bart had been a genuine find. His head was full of baseball knowledge, and not just the generic everyday kind. He knew more about VORP, OPS and range than most men ten years his senior. Bart had made no secret about his aspirations to work in Major League Baseball full-time one day, and while the mailroom was hardly a place to utilize Bart’s knowledge, he had taken the part-time job just to be around the sport. Recognizing his value early on, Kate happily worked around Bart’s college schedule to get him the hours he needed. On top of that, she listened to his insight and let him have access to information no other mailroom kid in the league probably had.
“Let’s hope they’re good ones,” Kate said. “We’re running out of time, Bart.”
“I know,” Bart said. “And the Mariners just hired Stan Beasley this morning.”
Kate groaned. Beasley had been on her fallback list. Instead, he’d taken a job with one of their division rivals in the American League West. She couldn’t blame him. They’d offered the job first while she was still waiting for the perfect candidate. Beasley hadn’t been perfect, or even great, but he would have been adequate. She only hoped her hesitation wouldn’t come back to bite them in the standings.
“Great,” Kate said. “Well, there’s another name I can cross off the list.”
“Oh well, he probably wouldn’t have been right anyway,” Bart said. “He enjoys small ball a little too much for the Pioneers’ style.”
Kate smiled again. The kid was once again showing off his knowledge.
“That was my hang-up too,” she said.
“Someone better will come along,” Bart said. “Anyway, I need to get moving. I have stats class in an hour. See you later, Ms. Marks.”
Kate waved as Bart left her office and continued on his mail route. Mentally crossing her fingers, she opened the first big envelope. She scanned the résumé – a triple-A bench coach and former AA player who specialized in outfield defense. Next, she thought. The second one yielded even less promise. She found no inspiration in the third, fourth or fifth either. An hour of reading and re-reading was gone, and Kate was no closer to finding her coach.
Her phone intercom buzzed, and her secretary said Mr. Scott was on the line. Kate took a deep breath before answering. She already knew how this call would go.
“Why is it that the Mariners have a hitting coach now and we don’t?” the team’s owner barked.
“Beasley wasn’t right for the Pioneers,” Kate said confidently, or at least that was the tone she tried to convey.
“The Mariners have the worst offense in the division, and I’ll be damned if we swap places with them because you’re waiting for the ‘perfect’ candidate to fall into your lap,” James Scott snapped.
“I don’t think that’s possible,” Kate said. “Not with Tanner and Davis coming back. Those two don’t need a hitting coach to replicate what they did last year.”
Kate knew throwing out the names of the Pioneers’ all-star middle infielders would help calm the owner. Justin Tanner and Ian Davis had been two of her earliest signings, and they had quickly become the cornerstone of the franchise. Their bat speed and power was rivaled only by their ability to turn at least two fantastic double plays in every game. She couldn’t count the times their defense had saved a pitcher from being overworked, to say nothing about the number of runs they’d driven in. They were the Pioneers’ version of the Bash Brothers and the most fearsome three-four hitters in the league.
“I suppose not, but they can’t carry the offense again this year,” Scott said, sounding a bit less edgy. “And Kensington and Walker still need a lot of work.”
“I know, sir,” Kate said. “I’ve been monitoring their work in Mexico this winter, though. Kensington has become a lot more patient at the plate. Walker has started to drive the ball to the opposite field more often.”
“That’s promising, but their progress may be for naught if you don’t get someone to keep them going,” Scott said.
“I know, and I will find that someone,” Kate said. “I plan to narrow things down later this week.
The owner guffawed on the other end of the line. Kate knew she’d made the same statement a few times since their search began. She had yet to deliver on her word, and she hated that. Kate prided herself on following through.
“I promise,” she added, using those two words for the first time.
“You better,” Scott said. “I’m counting on you, Kate. I didn’t hire you to dilly-dally around. Pitchers and catchers report in thirty-five days. We have a mini-camp next week. I expect you to have an announcement before fan fest at the end of the month.”
Kate glanced at her calendar. That gave her little more than two weeks. Her stomach rolled a bit.
“I will,” she said, reluctantly.
Kate hung up and slumped in her chair. She wasn’t defeated yet, but she was definitely feeling the pressure. She supposed she should be thankful she only had one boss now instead of four or more as she had endured in previous jobs. But that didn’t do much to ease the pressure on her. Not when you considered the power her boss had – he could ruin her easily. And not even blink an eye while doing it. He wasn’t the only one leaning on her either. He was the most vocal, but certainly there were others waiting to pounce on every failure.
A week later, Kate had conducted a handful of interviews. The résumés had underwhelmed her, but the looming deadline usurped her hesitation. She brought in the most promising from the stack.
Two of the candidates had been older and had reputable careers. They had each played minor league ball in their prime and had since managed a few AA teams. They also shared a confidence in their ability to add to the Pioneers’ offense. Kate listened patiently as each explained in detail some of the exercises he would use to improve the hitters’ patience and timing. Their methods sounded good, but Kate was unmoved by their interviews. They were smart enough and certainly experienced, but she wasn’t sold. The other three candidates were younger and completely new to coaching. Their vigor and energy was their main appeal.
After the last interviewee left, Kate put her face in her hands and let out a long breath. Over the course of her career, she had never sweated this much over a hiring. That was saying something. When she came on board, the franchise was brand new, so she had to start from scratch – hiring a manager and an entire coaching staff, not to mention assembling a 40-man roster and building a farm system. She had made good decisions along the way, with many of the faces staying the same, unless she opted otherwise. Despite all of her success, she knew her job could be in trouble if she did not make a hire before her deadline. On top of that, she had to make up for this delay. The candidate she contracted had to be worth the wait. It had to be someone with a recognizable name and reputation.
She rubbed her fingertips from her forehead down to her temples and back up over and over, racking her brain for a name. She had worked in independent league baseball and a few minor league offices before landing with the Pioneers, compiling an extensive contact list along the way. She opened up the contact list on her e-mail and perused the names. Surely, there was a hitting coach in there somewhere. Kate hated asking for help. It made her feel vulnerable and out of control, two things she worked hard not to feel. But desperate times called for desperate measures. After several moments of simply reading names, she composed a brief message about her mission and sent it to a few of her most-trusted former colleagues.
As soon as the e-mail was sent, she closed down her computer and gathered her things, anxious for a bit of an early exit. It was nearly five. Even if someone read her e-mail today, she wasn’t likely to receive a response until the next day. She might as well take advantage of a full evening. With the hitting coach search coming down to the wire, she had been putting in a lot of long days. Those were usually reserved for the trade deadline and post-season meetings, and they always left her feeling weary.
Regardless, she intended to hit the gym on the way home to work off a bit of her frustration as well as some of the winter weight she’d put on - not that anyone could see it except her.
There really wasn’t anyone to notice anyway.
Kate was a bit of a loner – half of that was by design and the other half was a result of her profession. She worked a lot of long hours and traveled frequently from February through September. This didn’t leave a lot of time for much of a social life, let alone a love life. Her field gave her plenty of opportunities to meet available men – some more desirable than others. Of course, they usually wanted to talk shop all the time, so their dates ended up feeling like an extended workday. Her well-intentioned best friend, Sarah, had introduced her to a few men outside of her professional circle. Unfortunately, the few Kate had actually liked were unprepared for the rigors of her work schedule. They were looking for marriage and family, and those things were not on Kate’s immediate agenda.
That hadn’t always been the case. Although the baseball business had long been her dream, Kate had once envisioned herself trading wedding rings instead of outfielders. More than once, actually. Kate had given her heart to the same man twice; and twice, he’d returned it to her in pieces.
After the second break, Kate decided she couldn’t go through that again. Not with him or anyone else. It wasn’t worth it. She threw herself completely into her work, and it had paid off. She had an impressive title and an equally impressive salary to go along with it. Her profession had not only allowed her to have nice things, but also the opportunity to meet a lot of different people and see a lot of places. She was completely happy with her life, even if most of the people in her life thought she was lying when she said so.
All four of her sisters were married, and between them there were nine grandchildren for her parents to dote on. Still, that hadn’t taken the pressure off of Kate. The Marks elders were still concerned about their first-born daughter. They didn’t think it was healthy for her to spend so much time at work and alone, even though that’s what she claimed to prefer. They wanted to see her happy and settled, and she seemed so far from that at the moment. Her relationship status was still among the first things questioned whenever Kate ventured or called home, which explained why the time between visits and phone calls had grown.
Then there were Kate’s married and coupled friends. They were even worse than her parents. On top of the constant queries about who she was dating, there were the not-so-sly set-ups masked as dinner parties and game nights. Kate accepted the invites and was never surprised to hear, “oh, [insert name] is here and he’s single too. You two should talk.” Kate learned to just let it roll off her back and be friendly. She could have stopped accepting the invitations, but then when would she see her friends? Her social time was sparse already, and she wasn’t willing to let it go completely just because her friends – and their good intentions – couldn’t accept her decision to be single. She was irritated and angry at first, but after she spent some time thinking about it, she realized she didn’t really care whether her friends accepted her choice or not; it only mattered that she accepted it. And she did.
That’s not to say Kate didn’t sometimes miss the perks of being part of a couple. She often felt like she was the only single surrounded by couples. Logically, she knew that wasn’t true, and fortunately, she was too busy to dwell on these thoughts for long. Her job was demanding of her time, thoughts and energy. But even at work, she couldn’t escape being inundated with images of couples. At the ballpark, her gaze was inevitably drawn to the screen during the “kiss cam” segment. A bit of jealousy surfaced whenever the focus was a young couple obviously in the early stages of their relationship. Kate remembered those days, when it seemed like you were the only two people in the world and the electricity between you would never fizzle. She was also decidedly touched by the occasional elderly couple caught on the cam who were clearly as enamored with each other as they were comfortable. She missed the affection and companionship of a relationship, but not enough to chance having her heart broken again.
Every time she started longing for a boyfriend, she reminded herself of the pain that one man had caused her. She remembered the tears, the countless boxes of tissues, the sad songs and the ice cream. She recalled the shattered dreams, the broken promises and the lost sense of hope and self. The longing for a boyfriend quickly disappeared.
Besides, if she wanted to maintain and even improve her professional reputation, she needed to stay focused. A boyfriend would only distract her from her work. She couldn’t afford a distraction – especially not one as worthless as a man. The only men she was allowed to focus on were those whose checks she signed – the players, the managers and the coaches. Those were the relationships that would benefit her in her mission to build a championship team.
That was the long-term goal.
The short-term goal was to hire a hitting coach.
She mulled over her options and contacts in her head once again as she hit the treadmill at All-In Fitness. Kate had specifically sought out a 24-hour gym to accommodate her unconventional work schedule. She preferred to workout before heading to the office, but occasionally a late meeting or game would keep her in bed later in the morning. On those nights, she opted for a late-night workout. They weren’t ideal, but they were necessary. Working out had become a staple in her life after her break-ups. She’d found them to be a great way to fight stress and emotional outbursts. If she wore herself out, there wouldn’t be any energy left to cry herself to sleep. Her workouts were also a good time to give her brain a break from the business of baseball.
As her brisk walk turned into a slow jog, Kate plugged her headphones into the treadmill’s console and looked up at the television in front of her machine. Her feet pounded against the belt, and the one-liners and laughter of “The Office” chased work concerns from Kate’s mind. She didn’t have much time to watch TV, so she didn’t really have many favorites. One of the guys she briefly dated had mentioned this show a few times. While the relationship obviously hadn’t worked out, his sense of humor had been one of his most endearing qualities, so Kate checked the show out one night. She loved it immediately, and since it was only 30 minutes long, Kate had managed to keep up easily.
When the credits rolled, Kate began flipping through the channels. Unable to find anything else she could get into, she finally stopped it on the MLB Network. They were discussing some of the latest moves as teams geared up for spring training. It might have been a little too work-related for what was supposed to be off-time, but Kate couldn’t resist. Even before she’d entered the baseball industry as a professional, she’d had a hunger for constant information on the sport and the business behind it. As a GM now, she was always interested to see what her colleagues were doing. Most of the topics were old news to her, as she’d received calls and e-mails about various transactions and happenings all day. However, there was one announcement which consumed mere seconds of the broadcast, but it literally stopped her in her tracks.
“The Mets have released one-time top prospect Reid Benjamin. After rising quickly through the farm system, Benjamin’s stock has been dropping since his debut three years ago. He hit .250 with 30 walks and 120 strikeouts in his second season as the starting centerfielder. He also managed 89 RBI, 20 home runs and 40 doubles, but his inability to play a full season without injury has management moving in a different direction.”
Kate nearly fell on her face, her feet stopping as the brief segment started. Fortunately, she was able to stop the treadmill and find the side rails with her feet before looking like a klutz in the near-empty gym. For several long moments after the TV had gone to commercial, Kate’s gaze remained on the screen, letting the name resonate through her brain – Reid Benjamin.
It was a name with which she was well-acquainted - even more so than her colleagues, who had been discussing the power-hitting outfielder with more than passing interest for years. Scouts had drooled over Reid, the third overall pick in the 2005 draft. Managers begged their GMs to trade large chips for him. Many GMs had tried to do just that, but the Mets had clung to their prize prospect. They’d invested millions in him immediately and saw the fruits of their investment returning as Reid’s raw ability and well-developed skills materialized on the field. Reid had started in Low A, but found himself in AA by the end of his first professional season. The following season, he spent just two weeks in AA before being promoted to AAA. He remained there for a few seasons, waiting for a call-up. Unfortunately, Reid’s rise was stunted by a crowd of very talented outfielders already on the big league roster, and none of them were performing in a way which put their jobs at risk. Several teams continued trying to pry Reid from the Mets’ organization, but New York wasn’t keen on giving up on their investment, even if they had no immediate need for his services.
Reid’s big break came when the Mets’ All-Star right fielder dislocated his shoulder and strained several muscles on a spectacular diving catch. Facing at least a few weeks of recovery time and a tough August schedule, the Mets brought Reid up to the majors. For the first few games, he remained on the bench, but finally the outcry from the public and, undoubtedly the GM, won out, and Reid made his much-anticipated major league debut against the division-leading Philadelphia Phillies. Reid pretty much lived up to his hype in that first game. He went 2-for-4 with a double, one RBI and one fantastic outfield assist to nail a Phillie trying to get home during a tense eighth inning. He managed to maintain that performance for the rest of the season, impressing the front office enough that they traded one of their veteran outfielders for a couple pitchers and let Reid have a shot at the starting nod.
He earned the centerfield duties during spring training and was standing in Citi Field on Opening Day in 2011. Reid’s spectacular September had set the expectations very high with very little room for the typical rookie growing pains, so when they inevitably hit, fans grew agitated. At first, the Mets faithful were quiet about it, merely mumbling when Reid struck out. As the weather grew hotter, so did the fans’ temperament. Reid was no longer just striking out; he was flailing at horrible pitches outside the zone. Occasionally, he would have a good game with a bomb of a home run or timely double, but this success only further angered the masses, as they got their hopes up about his struggles ending, only to watch him strike out four times in the next game. The Mets missed the playoffs that year, and while a team certainly isn’t made of one player, much of the blame fell on Reid’s shoulders. Fans and local media argued that the traded player would have made all the difference and that Reid was a waste of money. While he bounced back a little in 2012 season, Reid was still the most popular target of message board ire. His extracurricular activities rivaled his on-field failures, making him the punch line of nearly every bad Mets joke that was told. His rise had been short-lived, but his fall seemed as though it would never end.
From a professional standpoint, Kate was not all that surprised by the news of Reid’s release. His off-field headlines combined with his declining value and a saturated outfielder market would likely leave Reid without a job this season. She actually felt a bit sorry for him, and that sympathy annoyed her. Why should she feel sorry for Reid? He certainly hadn’t done anything to deserve it.
Indeed, Kate knew Reid Benjamin far better than any of those scouts, managers or GMs ever would. Reid also knew her quite well – in ways she preferred not to think about. Much to her chagrin, they occasionally snuck up on her. Usually on nights when she let her mind wander a little too far into the past.This is not going to be one of those nights, she thought.
+++++
That's just a taste of the story. It becomes a lot more complicated.
By the way, here was my visual inspiration for Reid:
What do you think?
P.S. My current NaNoWriMo wordcount is 4,524. Not too shabby after two days.
Tuesday, October 27, 2015
Gearing up for National Novel Writing Month
November is almost here. For me, that means one thing. OK, a few things. Naturally, there's Thanksgiving and the approach of Christmas and New Year's. But more prominently, for me, it means writing. Lots and lots of writing.
For the fifth year in a row, I will be participating in National Novel Writing Month (also known as NaNoWriMo, because that's less of a mouthful). Each year, writers log on and commit to writing 50,000 words in the span of 30 days. Some do this all in the privacy of their homes. Others join local write-in events. I'll likely be doing a mixture of both.
I've only actually finished NaNo twice. And by finished, I mean reached 50,000 words, since that's the goal. My first NaNo project, in 2011, wasn't actually done until five months later. And then there was editing involved. Finally, in September 2012, it became a full and finished book ... Ta da!!
Two years ago, I started a sequel to Riffs of Regret, but I've gotten stuck a few times so it's still waiting for me to finish it.
Three years ago was the second time I reached 50K words during NaNo. The project, Dropped Third Strike, has been in editing stages for a long time. That's what happens in self-publishing. But I'm still a fan of the book and hope to finish it soon. Maybe I'll share an excerpt of it with you next week.
I've been re-reading this story lately because my project this year will be a sequel to it. I still haven't settled on a title, but I'm very excited to delve into the life of one of the side characters. I'll be updating you on my progress and sharing some of my writing process for the next few weeks.
By the way, there's probably still time to join the writing community Helene is organizing, if that's your thing.
Are you participating in National Novel Writing Month?
What kind of story would you write?
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I've only actually finished NaNo twice. And by finished, I mean reached 50,000 words, since that's the goal. My first NaNo project, in 2011, wasn't actually done until five months later. And then there was editing involved. Finally, in September 2012, it became a full and finished book ... Ta da!!
Two years ago, I started a sequel to Riffs of Regret, but I've gotten stuck a few times so it's still waiting for me to finish it.
Three years ago was the second time I reached 50K words during NaNo. The project, Dropped Third Strike, has been in editing stages for a long time. That's what happens in self-publishing. But I'm still a fan of the book and hope to finish it soon. Maybe I'll share an excerpt of it with you next week.
I've been re-reading this story lately because my project this year will be a sequel to it. I still haven't settled on a title, but I'm very excited to delve into the life of one of the side characters. I'll be updating you on my progress and sharing some of my writing process for the next few weeks.
By the way, there's probably still time to join the writing community Helene is organizing, if that's your thing.
Are you participating in National Novel Writing Month?
What kind of story would you write?
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